duminică , 24 octombrie 2021




Listen or read the complete Te Kay Interview.

Allow us to introduce a digital artist and visionary. A man who sculpts with binary, paints with hues of electronic color and light, a man who brings sound and images to people globally. Meet Te Kay. The web designer, producer and editor of elliotmintz.com.

His work on elliotmintz.com has created a journey, an adventure. He has created more than simply another stop on the information superhighway. If the internet is a yellow brick road, Te Kay has designed the Emerald City. He did so with a portable, virtual juke box full of magic and entertainment. Magic, indeed, is what he has done. He has resurrected many old tapes, some unmarked, containing interviews, music and memories and he arranged them in the halls of elliotmintz.com for visitors to enjoy, where ever they may be.

Let’s meet the man behind the curtains… Te Kay.

Ladies and gentlemen, it is my pleasure to welcome our special guest, Te Kay. Thank you so much for joining us.

Thanks for having me, Paul. I’m glad to be here.

It’s a pleasure. You could say that you’re in part, the master mind behind this website, elliotmintz.com, and it is quite a website.

Thank you.

You’re welcome. Thank you, actually. How did you learn about this web and media artistry?

I picked up a number of skills when I was working for a recording artist, for many years. I don’t live in LA anymore, but I lived in Los Angeles for a good 15 years. Most of that time I worked for a recording artist, who was signed to Interscope Records. She never really went anywhere, but I worked for her for many years. I was basically her sound engineer at the beginning, because I was the only person on her personal staff. I picked up all the other skills. I learned how to edit video. I learned how to not only do music, but other kinds of audio editing, and sound design. Then eventually when we started to go on the internet, I learned how to do websites, and all her social media, and how to hack the MySpace page. I learned Flash, and so I got into coding as well and that also ties into web design, there’s a lot of coding in it. I just picked up all these skills one by one. Just in a course of working as her, I was also her system administrator as well. It was kind of like a Johnny of all trades.

For anyone who’s kind of just a curiosity seeker here, who’s checking this out. Who is this Elliot Mintz?

Well the website is a roundabout way, a memoir of his, of him. He didn’t want to write a traditional memoir, and he doesn’t like to write books in general. But he had all this stuff on tape, different media – sound, and video. He has piles of it from way back. So the site itself, kind a take it as a whole. Take you through great part of his whole adulthood really, and you can see who he is from the site. And get to know him. His interesting character that has been in the midst, in the kind of thick of the entertainment… American entertainment industry really. It mainly centered in Los Angeles. He’s kind of in the middle of it for a long time, very close to it. And so many of us are also fascinated with celebrity and entertainment that he himself has become an interesting figure, in and of himself.

How did you come to meet Elliot Mintz?   

Through actually another person I think you’ll be interviewing, Jim Ladd. DJ from Los Angeles. I was introduced to Elliot, through Jim. Incidentally Jim had given me my first big break on the internet design stage. He just tapped me to design his Myspace page. It turned out really well, everybody liked it. So I was kind of referred by a mutual friend of Jim and Elliot’s, to Elliot. Who was looking to make a website and was having trouble finding the right person to do it. So it was a friend, of a friend thing.

Interesting. When you first met Elliot Mintz, what was your first impression?

You know the first meeting with Elliot, sometimes its kind of to impress a little bit. He has me drive up to his house, up on Mulholland Drive. It’s a very treacherous and beautiful drive up there. Beautiful home and overlooking the city. It’s kind of a poor boy like me, that kind of impressive. It seemed to suggest that this is kind of the big time. He’s very well mannered, and kind and generous. Of course he was a friend of a friend, so I was at ease anyway. Just a genteel, intelligent man. That’s my first impression.

One of the things that people can find on this website, elliotmintz.com is, is these interviews. There’s a collection of them, and my understanding is a lot of these interviews were old tapes. How did you go about getting them in a format where they could be heard on the website?

Those tapes took a pretty long journey. Even before I started working for Elliot, he used to have them, well, he salvaged a number of them. A lot of them were lost. He’s got like a fraction of what he used to have. He had like reel-to-reel audio tape, a lot of it, like a big pile of it. At one point, he had a secretary, or someone who was working for him, transfer it all to VHS. Then another person even later down the line, recorded off the VHS, into digital files. That’s what I inherited at that point. But at that point, it was basically a mountain of huge files, with no catalogue, nothing. It was a blind mountain of material that we had to pick through by hand. That’s part of what took so long, to make the site. From what Elliot tells me, there’s even more, still sitting in boxes.


Not over yet.

Well, in addition to what you said about these unmarked tapes, what was the biggest challenge you faced to get elliotmintz.com live?

It was an organizational challenge, logistically. That’s just one example, that mountain of tape. There’s stuff from all over the place, and we worked on it for over a long period of time, and there are many revisions to some of the work. At some point, of course, we had other people involved.  Other production crews. When he did those interviews in his living room, we had production crews from the outside we were working with. So we were constantly having to adapt to other teams, and getting stuff from them, and then doing our edits. Like I said, after a while we started having multiple versions of things, and we started losing track. Over time, you realized that you should have been more organized, in the beginning, but we finally ironed it out. Yeah, the biggest challenge was in keeping it organized, finding everything. Often Elliot would say, I know there’s this interview. I’ve heard it, it could be a difficult job to find it. So there was a lot of organizational challenge there, that’s part of what took so long too.

What was one of the ideas that you had that was like a light bulb that went off, that has added to this project?

A lot of small suggestions here and there. But I guess, going back to the very beginning. We started with like a blank slate. What would the website be, what would it look like, what would be on it? Actually I was inspired partly by his living room and the scene over to the city that you see out his patio window. In which you see behind him are some of the interviews on the site. It reminded me of the backdrop of “The Tonight Show” or something where you see the city behind the desk. Of course that’s in one of the “Mintz on Mintz” interview, you see him just like that. He’s sitting at a chair, you see the city behind him.

So that is seemed natural to set it, as if you’re sitting in the living room, his living room. Like just watching home movies, which you kind of are, in many cases. You just put the Wurlitzer thing on top of it and things on top of it. So some of that stuff, there’s a germ of it there. I kind of pitched to him, but it really came off, of what I found material. His living room, his love of the juke box.

Our special guest is Te Kay. One of the web and media master minds behind the website, elliotmintz.com. What in your opinion, is the most interesting part of the website?

What I found quite fascinating are the collection of radio interviews, what’s called radio interviews on the site. What I was struck with is, I end up listening to all of them with Elliot, in the course of editing it. I was kind of struck at not only how Elliot, as a skilled interviewer, could get these people to open up at length. And so candid and forthcoming. It surprised me how radio used to be this way. When I hear people interview today, everything’s rushed, everything’s prepared. There is a veneer to try to even figure out what the sincerity is. But these interviews from 30, 40 years ago, they’re candid, they’re honest. They’re not guarded at all. They’re completely open and they fascinated me, blew me away. It’s like wow, I wish it was still like that. Of course you’re hearing some of these subjects, very famous, very revered people. And you hear them speaking so clearly, and honestly, and at length. It’s really just a breath of fresh air, it’s a delight to hear it.

I have to say I concur with you, but what radio used to be, and what it still could be.

Yeah, that’s what these podcasts are becoming, I guess.

What is Elliot Mintz like to work with?

Thankfully, very easy to work with. I worked a long time with him, it would have been terrible if he was any less wonderful to work with. He’s easy going. He likes to take his time. He never works on weekends. You know, it makes it easy. Elliot is a perfectionist in a way, but that’s fine. I’m cool with that. I’d rather work for a perfectionist, than someone that really doesn’t care and just wants to rush something out. I take pride in the work, just as much as he does. He couldn’t be more easy, kinder, and gentler, and a more understanding person to work with. Just took a little longer, that’s all.

One thing that I think is definitely true. There are not many people who could argue with the notion that Elliot Mintz has led a very interesting life. Why do you think he has lived such an interesting life?

I guess, number one, there’s the proximity factor. I forget who said the saying, success is 80% showing up or something. Elliot has been right in there. He was interviewing people, authors, actors, musicians. So he was constantly being exposed to those people, and he lived in Laurel Canyon. All his neighbors were all rock stars and stuff. He was just there. When you show up and you’re there, you’re witness to all that great stuff that happens. And also as you hear in a lot of his interviews, he’s got a lot of very natural curiosity, and fascination and enthusiasm. That really brings out a lot of stuff in the people he’s interviewing.  That also keeps him engaged, people trust him. He’s friends with everyone, everyone out there. So it’s just being there, being engaged, and being cool. I think it just keeps you in the game.

Tell me about some of the people you met, as a result of doing this project, elliotmintz.com?

Basically the subjects he had in his living room. More interesting, meeting Sean Lennon, Marianne Williamson. Those were cool people, kind of interesting to film them, and stuff. Those are probably what I would say, are the more interesting aspects.

Of those fireside chats that he had, was there one that you thought was especially interesting?

I like the Sean one, Sean Lennon. Just because he and Elliot are so familiar, in almost a familial way. It’s not like another interview. They had like short hand going on, and a wink, wink. It’s very entertaining to watch. Yeah, I’d say that was the most interesting one to me.

Oh yeah. One more thing. This is kind of something I noticed the other day. On the website, when you click on the little statue in the corner, I believe it turns into Buddha.


What’s that all about?

Elliot has those two statues that you see in his living room. He actually owns those. So he had two photographs. Like which one you want to put in the corner, and he couldn’t decide. So I just said, you know, I’ll just put one in there, but I‘ll make it, if you click on it, it flips to the other one. Just for the heck of it, to leave it at rest for a while. We never returned to it, it just stayed that way.

And now we know.

It’s a secret right there.

I keep thinking, there has to be an Easter egg somewhere.

Well we may add one too, who knows.

Well Te Kay, thank you very much for this interview.

You’re very welcome, Paul.

All right. You have a wonderful evening.

You too.

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